Category Archives: Art

Age of Stupidity

So Mac Miller died at age 26. Drug OD. I used to listen to some of his music. Wasn’t half bad.

Course dying at age 26 because of an OD is stupid. Yeah yeah, troubled mind shouldn’t judge don’t know the guy at all, I get it. Still really fucking stupid.

The grand illusion surrounding famous people is of course that they supposedly know what they’re doing. They don’t.

Jim exclaimed: ‘where are the smart people? Show yourself!’ The insinuation being that there are no smart people left among the elite, that they are flailing and clueless. When I look at Mac Miller I see evidence for that assertion.

Alf this is entirely different, this is just some guy who became famous and couldn’t handle it.

Sure. But still really fucking stupid.

When I think of a celebrity mindset, I’d like to think Kanye West, but I mostly think Justin Bieber. There’s this interview between Post Malone and Ethan Klein (both Jews in case you were wondering) in which Post gets an impromptu call by Justin Bieber. Their conversation goes something like this:

JB: You’re amazing. You make people happy. You have the best smile in the game. 
PM: I think YOU have the best smile in the game. I think you are the best singer in the world. I think you have beautiful abs. I think you make the world a more beautiful place.

JB: I love you.
PM: I love you more baby.

Men, friends, just don’t talk like this, and if they do, they do so sarcastically, or genuinely perhaps on rare occasions. So if this is your standard conversational tone with another man, you are not friends. What you are doing instead is… How do I say this…? You are acting out how you think it should be with close friends. From this blurb it seems like Bieber is more into it than Malone, but the premise is the same for both: if you are complimenting another man this excessively, you are not actually close friends, you are merely excessively kissing each other’s ass, and chances are you will soon be saying the opposite from what you were saying previously.

Funny thing is, they both won’t see it this way, and neither will their fans. But being pretend-friends is the underlying dynamic, and their unawareness to it makes the whole thing seem… Rather silly. The conversation makes it obvious these guys are just riding the wave of fame while not really having a clue of what wave it exactly is they’re riding.

Alf, why should I care how two celebrities treat each other?

Because these men have the hearts of your women, and part of the restoration program is restoring proper ownership of women.

Art is downstream from power, so looking at the big picture it is obvious that artists like Miller, Bieber and Malone enjoy their fame only at the graces of those in power.

(Apologies for stressing the disproportionate Jewish influence, but it is hard not to notice here: Miller is half-Jewish, Bieber’s manager is Jewish, and Ariane Grande after leaving Mac Miller got engaged with another half-Jew. Did I mention Post Malone is Jewish?)

Take for instance Ariane Grande’s new fiancee, who, apparently no fake, though probably fake, has a Hillary Clinton tattoo on his leg. Can’t kiss power’s ass more obvious than that.

When power blesses artists, artists have their power magnified. I imagine this is a surreal experience — suddenly the whole world is involved in your personal life. So many prying eyes raises the inevitable question for every artist: what does it all mean? And you might be as stone-cold sober a warrior as can be, at some point you have to answer that question.

So for celebrities, who do you think they turn to when they ask themselves that question? Obviously, to those in power, those that gifted them with their position. Bieber goes to celebrity church. But we know the answers power gives:

Artist: what does it all mean?
Power: it means love, unity, equality. It means we bring the next world into this one.

Really bad answer. But art is downstream from power, so the artist works with it, at his own detriment.

(Luckily there’s a few exceptions, not in that art is not downstream from power, but in that some artists don’t seek answers from the wrong kinds of power. Kanye West is pro-Trump, and Kanye West seems to be doing pretty good with a thicc wife and 3 kids.)

So I guess my overarching point is: these people really have no clue what they’re doing. They’re as oblivious of what they’re doing as a tree is oblivious of the fact that the sun’s heat will in 1 x 10^9 years have increased such that all the water on earth will have evaporated, if I am to believe what scientists tell me.

Similarly, this business with the anonymous NY Times op-ed describing a conspiracy against Trump, supposedly written by a high ranking official in the White House. Is it a rare piece of genuine brilliance by the left? Of, have they simply been looking at QAnon, and thinking to themselves; ‘damn, rumors of a pro-Trump coupe really hit our morale. Maybe we should spread rumors of an anti-Trump coupe?’ Seems to me the answer is obvious.

They have no clue what they’re doing.

For the past 2 years, all the left has been doing is digging its heels in and slowly, ineffectively responding to the shadowy force they only know as the alt-right. Putin’s Puppet was a slow response to Trump. Killing Pepe a slow, ineffective response to Pepe. Lodestar is a slow response to QAnon. #metoo is a slow response to the manosphere. The FAGS banning Alex Jones is a slow, ineffective response to Alex Jones. And Occasio-Cortez is a slow response to the alt-right pointing out that, according to the left’s own logic, all white men are evil.

This fits with the idea of leftism as a shit-test: when the right was unaware that leftism was a shit-test, we invariably failed it. But now we are realizing it is a shit-test, and suddenly the left finds it has lost its most powerful weapon: the moral high ground.

Of course the question remains whether we can build a better empire. Luckily, we seem to have history on our side: the Republic of the Seven United Netherlands seems to be pretty cool, so did the Roman empire, so did a bunch of other empires of which I really do not know so much about. Jim points to the British empire under the Charles the Second as proof that we are capable of pulling it off, and I am very much inclined to say: sounds good to me.


Content is downstream from power

… Which is just another way of saying art is downstream from power.

Art changes, evolves; used to be paintings of successful hunts in caves, clay figurines of fat women, then became paintings of rich people and classical music, now has become video games and, last but not least, online shenanigans like videos, social media, blogging, streaming and whatnot, which we colloquially refer to as ‘content’.

So a content creator is just the 21st century term for an artist. As always, everybody wants to be an artist, a free-fought spirit. But the golden rule of art has not changed, will never change: art is downstream from power.

The myth is that art somehow exists in a vacuum, that it transcends its environmental limitations.It does not. Art is an expression of the elite, of those in power, for those in power are the ones that allow said art to exist. Who decides which art is worthy of fame, is worth millions? Only those that can actually pay millions.

In the same vein, art is vulnerable; you can never be sure if your content appeals to the elite that allows its existence, but if you want to make a living out your art, you better well sure it does appeal to the right people.

So here we also see why there is the myth that art exists in a vacuum: it is a leftist lie, originating in the leftists’ desire to barnacle himself to power by kissing power’s ass: ‘this show is amazing and unique and special, you should really watch it!

In truth we have the inevitability of the patron system. Patron → Artist. That is the way. Lorenzo D’Medici pays Michelangelo, Michelangelo sculpts statues that Lorenzo likes. Lorenzo D’Medici dies and power falls into the hands of someone who does not like Michelangelo, Michelangelo flees. The principle is not so hard.

It is a truth of nature that a disproportionate amount of power tends to fall into the hands of a small group. Similarly, a disproportionate amount of content platforms are in the hands of a small group. Youtube is owned by Google, so you bet that content out of line with Google’s ‘be evil’ policy is demonetized or banned, exactly like Trump tweeted. Similarly, Instagram is owned by Facebook, so you best not fall out of grace with Zuckerberg if you want to be on those platforms. My personal favorite however, is Twitch, which in this blogger’s humble opinion is where the freshest content is at. Twitch  is streaming, like live tv on the internet, but included is a chatroom in which every viewer can type their thoughts as they watch the stream, and the streamer can live read those comments and respond to them. It’s the best; pure live content, created by streamer and audience simultaneously.

Now, who owns Twitch? Drumroll… Jeff Bezos bought it in 2014! It is part of the Amazon empire. So once again, it is obvious that Twitch content creators best not fall out of line with their patron, whose opinions are channeled pretty clearly on his personal blog, the Washington Post.

(Also, to stress the power relation between the patron and the artist: watch this excellent video. It’s a great napkin analysis of how much money the biggest streamers earn on Twitch in comparison with Bezos. Basically, Ninja, a Fortnite streamer and the most famous content creator on Twitch, who on a daily basis draws a filled Amsterdam arena of viewers, will make perhaps 100 million dollar in his lifetime, which Jeff Bezos makes on a daily basis. For Bezos, Twitch is chump change.)

Now while it is scientifically proven that 95% of power lies with the top 1%, if you find enough small fry patrons to directly sponsor you, that works just fine. But even here we find no such thing as a safe vacuum. After all, you need some sort of sponsoring platform. Take Patreon: owned by Jack Conte, operates in San Francisco, just around the block from Silicon valley. You bet that Patreon removes artists not in line with its politics, which it in fact has already done multiple times.

Or take it even a step further: direct peer-to-peer sponsorship. How will your patrons pay you? Through Paypal? Silicon valley baby!

Which is not to say Paypal blocks every artist it politically disagrees with. After all, you can still donate to Heartiste through Paypal. But they have banned other artists, and perhaps they will ban Heartiste one day if he becomes too large of a threat, like Alex Jones.

So we see that, once we start tracking the money we end up with the institutions that control the flow of money, and surprise surprise, the people heading these institutions are the elite, are linked to the same people that head Facebook, Google and Amazon, are part of the same group who decide what content gets through to the mainstream.

So where does this leave us.

First and foremost, this information is a red pill, not a black pill. If it were a black pill, we would conclude that the only option is to go full sell-out mode, to produce only art we know will be liked by the elite. This is a valid strategy. But not the only one.

The simplest strategy is to simply not monetize your content. Stay under the radar. But although some fine art has been created this way, the fact of the matter is that a) everyone wants make money and b) most people like to reach an audience.

If you are not concerned about (a), by far the the most insane strategy would be to build a self-sustainable grid hidden outside the reaches of those in power. With the use of crypto, self-built energy grids, property, anonymity and several passports one could theoretically pull this off. But you’d have to be a true madman. I know of only 1 man who claims to be pulling this off.

Another, slightly saner strategy lies in riding the tiger, which is to say: to test the waters, see what you can get away with and what not and adjust accordingly. It is obvious that those in power are not in power like Ingsoc is in 1984: there is a lot of chaos, a lot of infighting. It took years before Alex Jones was banned, arguably too many years to effectively squelch his voice. Murdoch Murdoch, after being banned from Youtube, is still advertising on Youtube. Even the Daily Stormer, which for a while seemed to be stomped into the ground, is back and very easily googled.

So, the red pill is that content is downstream from power, that power is mount Olympus and content is the city at its foot. But the white pill is that [The Current Year] is not like 1984, and that where there is a will, there is content.